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The
Italian composer Giuseppe Verdi created in 1870, AIDA, an opera in four
acts, after accepting a request from the Egyptian Viceroy, Ismail
Pascià.
The opera was intended to be performed during the grandiose inauguration
ceremony of the Suez Canal. The
core story of the opera is about the love between a Nubian slave (Aida) and the Egyptian commandant (Radames), who
was engaged to Pharaoh's daughter (Amneris). The Opera
premiered in 1871, at the Opera Theater in Cairo. Since then, various
versions have been created and performed by different artists. The
current interpretation as a musical by Disney's authors including Sir
Tim Rice, the prolific lyricist and the musician/composer, Sir Elton John
was successful in the USA. The German
translation of this musical premiered on the 5th October 2003
at the Colosseum Theater in Essen, Germany with Florence Kasumba, an
African from Uganda in the lead role AIDA. Her performance has
been brilliant and applauded by the media.
Afritopic met the
African star, Florence Kasumba, at the Colosseum for an interview.
Speaking melodically with the voice of a diva, she gives an insight to
her background and the musical theater. |
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Afritopic: You came to Germany as a
child. Could you recollect how it was growing up in Germany?
Florence: I was 2 years old when I came
to Germany. I was born in Uganda but my parents have been living in
Germany for some years. My mother studied in Germany. To be honest, I
cannot really recollect how it was in the beginning. I was just a little
girl growing up in Essen, Germany. I started the kindergarten like other
children, went through the primary school and later entered the Grammar
school (Gynasium), which I successfully completed in 1996 with the
diploma (Abitur).
Afritopic: Some of the popular stars of
today knew what they wanted to be at a very early age. Did you know what
you wanted to be very early?
Florence: I started dancing at the age of
12. But it was more of a hobby. With time, my interest grew stronger and
realized that it is what I really love doing. I was getting more involved
and started informing myself of career possibilities. I finally made up my
mind at the age of 17/18 to make my living out of the musical theater.
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Afritopic: What role did your parents
play?
Florence: They played the role of normal
parents by giving me all the necessary support to achieve my goal. While
at school, I was working part-time to earn pocket money, but my parents
financed all the training I needed for a career in the musical theater.
Afritopic: Where did you have your
formal training to prepare you for a musical theater career?
Florence: I attended one of the very good
musical theater schools in Holland/Netherlands for 4 years. Though, it
is not a private school, the admission standards are high and the
instructors/lecturers are very good. I had training in singing, dancing
and diverse techniques required for good stage performance. During my
time at the school, I was lucky to have 2 instructors who were active in
the musical theaters business. I was able to learn a lot from them and
obtain practical tips for the musical theater profession.
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Afritopic: Were there other African
students in the school?
Florence: There was no other African
student while I was there. I was the only African. Most students were
Dutch. There were also students from the Antilles and other former
Netherlands' islands. However, the atmosphere was international and
conducive to learning.
Afritopic: How difficult or challenging
was it to meet all the requirements necessary to make the grade?
Florence: I wanted to be a musical
performer. So, I decided to learn everything that could help me in my
profession. I spent a lot of time practicing to improve my dancing
techniques and voice control. I worked together with instructors who
were former students of the school and well experienced in the musical
theater sector. Due to the fact that all students were working hard to
make the grade, the situation was competitive and challenging. I had my
goal in mind and was highly motivated to achieve it. |
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Afritopic: Making a career in the
musical theater is not easy. Would you say that the training at the
musical school has contributed a lot to your success?
Florence: The school provided some of the
best instructors available. Students could attend classes, learn and
practice. Most of the people who graduated from the school are now
working in the musical theater or related fields. But it is not always
true that a graduate from a musical school is a better performer than
somebody who never attended a 4-year graduate school. While preparing
for AIDA, I had the opportunity to meet and learn from acclaimed
instructors. I learned so much about acting and speaking from them
within 3 months than I learnt during my 4 years in the musical theater
school. continue>
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Florence Kasumba
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Afritopic: How did you start building
your career in the musical theater?
Florence: When I was in the third year at
the musical theater school, I did a casting for a film. I did not have
any intention of doing movies, but an agency in Holland called me and
persuaded me to go for the casting. I did an audition for the film and
was accepted for a role, which took 10 shooting days. In all, the
shooting and rehearsals for the film lasted 3 months. In this way, I
would say that my professional career began with playing a part in a
movie. After that, I started applying to participate in castings for
musical theaters like other students. I took part in several castings
for dancing/singing. In each case, the verdict of the jury was either I
was good or not good enough. Eventually, I was lucky to secure my first
job in the musical theater.
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Afritopic: You studied in Holland.
There is a general notion that in order to be a top musical performer,
you have to undergo some training in the USA. Are you of this opinion?
Florence: I do not know where this notion
comes from. I do not believe that you need extra training in the USA in
order to become a top musical performer; otherwise I would not be here.
Yes, musical theater is so much older in the USA that I am inclined to
saying that the art originates from there. There are very good schools,
international renowned instructors as well as very talented students in
the USA. Some of these students are so good that their performances
could be intimidating for others. But highly talented students could
also be found in Europe or anywhere else. I believe that how good a
musical performer is, depends on his/her passion for the profession, the
capabilities of his/her instructor/teacher and his/her own personal
efforts. In the musical school in Holland, I had an American teacher as
well as an English from whom I learned a lot. Certainly, I have heard
some colleagues saying, 'Let's go to Los Angeles to train' or 'Let's go to New York to train'. This is probably due to the large
number of people in these cities who are dancers. I never had the desire
to live there. I am of the opinion that good schools and excellent
teachers could be found even in Germany.
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Afritopic: How did you apply for AIDA
and prepare for the audition?
Florence: I applied for AIDA in the same
way I applied for other jobs in the musical theater. I did not think of
it or take it as a big issue. I did not go deep into the historical
background. My main aim was to get the job. Whenever I apply for a job
in a musical, I generally inform myself, listen to the music of the
musical and do some dancing, acting as well as voice training.
In the case of AIDA, I bought the CD about a year prior to my
application. I later took the opportunity to see the show while visiting
a friend in New York. The next thing I did was to make sure that I was
technically in form to take on the job. So, I took voice, acting and
dancing lessons. This is very important because at auditions, the
qualities the juries judge are the vocal, dancing and acting
capabilities of the applicant. Naturally, how the applicant looks like
is also taken into consideration. I might have had all the background
information about the musical. But without the mentioned capabilities, I
would have had no chance at all.
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Afritopic: After the auditions, you
were one of the two girls selected as AIDA aspirants. Did you undergo
extra training in order to beat the competition and get the role?
Florence: I practiced technically. I
would not call it extra training. I knew I had to be in very good shape
and be able to sing, act and dance daily on stage as AIDA. For me, when
I think of AIDA, I see her acting and singing. I presume that this is
also what the audience is expecting. That is why I trained hard to be
vocally good enough to maintain a constant good performance. Though, I
had a general knowledge of what the story is about, I did not spend time
with the historical issues. The interpretation of the musical might have
changed over the years, but the story itself has not. |
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Afritopic: The story of AIDA is set in
Africa. As an African, do you feel emotional when playing the role of 'AIDA'?
Florence: I have not been to Africa since
I left as a child. I play the lead role of AIDA with all the feelings
the character demands. I am emotional when AIDA is emotional and not
because I am an African. It's acting. Though the story took place in
Africa (Egypt/Nubia), it could have taken place anywhere in the world.
Generally speaking, the story is about slavery, intercultural love,
power struggle and young leaders fighting for freedom. Professionally,
it is important for me to feel what is going on in the story and
hopefully perform in a way that AIDA's feelings get across to the
audience. |
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Afritopic: What advice would you give
anyone who would like to make a career in the musical theater?
Florence: If you want to achieve your goal, you should find people who
could help you Make contacts and find help from those who could help
like very good teachers and people experienced in the field. It is not
always easy. If I would have to start all over again, I would do exactly
what I did before. I would inform myself about the profession. I would
check the Internet for schools offering courses/training to acquire the
necessary skills and look for chances to meet people active in the
professional field. As an example is the way you (from Afritopic)
did it. You contacted someone you know who contacted somebody who knows
me. I passed on the information on how I could be contacted. And now, we
are here having this interview. It is also good to know that there are
different sections within the musical theater that offer career
opportunities. There are people responsible for the organization,
choreography, costume/dresses, design and so on. You have to be ready to
work hard to achieve your goal. The employment environment within the
musical theater is highly competitive. You have to be very, very good
because there are a large number of very good people in the business. I
am lucky to meet people who believed in me and helped me to be where I
am today. continue>
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Afritopic: Playing the lead role
demands a lot of energy and concentration, which is not so easy. How do
you keep yourself in shape?
Florence: My source of energy is my
family. I spend as much time as possible with them. I eat balanced
healthy diets including abundant vegetables and fruits. I sleep a lot
because sleeping is the best form of rest I can get. I believe that
taking care of my health now would help me when I get older. If I start
loosing my teeth later at the age of 40, then I know that I have done
something terribly wrong while I was young. I neither drink much alcohol
nor go out every night. It is not that I do not like going out, but it
would be too tiring for me. I have to perform every evening, so I try to
keep myself in form by working out regularly during the day.
Afritopic: Now that you have the status
of a star, has your circle of friends changed?
Florence: My circle of friends change not
because of my star role. I meet people and make friends wherever I live.
I have my circle of friends in Essen where I grew up and went to school.
I later went to the Netherlands where I also met different people and
made friends. The issue of friendship depends on the individual. You
choose your own friends. However, whether your friends stay with you or
not depends on the situation or the type of friendship. I travel
frequently, which makes it difficult to see my friends often. However,
we are living in a modern world. I can e-mail my friends or phone them
whenever I need them. For the past few years, I have been performing on
stage in musical theaters. Therefore, my friends change because I get to
know and work with people in the in the business. Yes, it is true that
if you have a big role like AIDA, you start hearing from people you have
not heard from for a long time or from people you don't even know.
This is normal because people want to be part of the success and I am
really careful about that.
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Afritopic: You are becoming very
popular through your lead role in AIDA. In which way do you think you
could help Uganda/Africa using your popularity?
Florence: Are you sure that I am popular?
You must have better information about me than myself. I think it is a
bit exaggerated to say that I am popular. Some people know me because
they saw AIDA or my performance in other shows. Of course people tend to
listen to people they know either personally, through the media or shows
like AIDA. The chances are high that a larger number of people would
listen and react to what I say in the public compared to, for example,
what my mother says in the public. The first question is 'Do You
really want to help?' followed by the second question, 'What could
you do to help?' There are many ways in which one could help. Yes, I
come from Uganda. But this does not mean that I start helping everybody
from Uganda. I am of the opinion that help could be offered anywhere.
You could help the next person near you who is homeless. I think of
helping in the general sense of helping. It does not matter where I am
offering to help as long as my help is needed. If I decide to help, I
want to really help. I do not believe in sending some money to a bank
account in order to help. I want to be involved in the issue and know
what the help is all about.
Afritopic: How would you compare living
here in Germany to some other countries you have lived in?
Florence: I grew up in Essen, lived in
Austria for a year and in Holland for 4 years. I prefer living in
Germany than in Austria. I know the mentality in Germany and have my
friends here. I loved living and working in Holland because it was where
I saw for the first time a lot of people of my complexion and I felt at
ease. However, there are more people of African descent now in Essen
than some years ago, giving the city a multicultural touch.
Afritopic: You have the figure of a
model. Have you done modeling or could modeling be a career option?
Florence: Yes, I have done modeling. I
even earned money as a model while at school. Until recently, I did
different things in the modeling sector including hair, fashion and
dancing shows. I like to do fashion modeling/catwalk whenever I have the
time, but it is not a career option for me. There are some colleagues
who combine different jobs like modeling and theater. That is not for
me. It's too much stress; going to the venues, getting the make-up
done, wearing/changing the attires and doing the catwalk. My main focus
at the moment is the musical theater.
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| Aida
and Radames
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Photo Albums |
| Florence
photos |
| AIDA
scenes |
| Premiere-Guests |
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Afritopic: When I came in here, I felt
a friendly atmosphere. Is the working atmosphere always friendly or do
you sometimes have bad times?
Florence: Did you really feel a friendly
atmosphere when you came in? It's nice to hear that. Yes indeed, the
people are very friendly. There are so many people doing different
things. At the end of the day, we are all doing one show. I am the lead
of the show but I do not want to be reminded about that. I like chatting
with my colleagues and the people who dress me up for the show. We
discuss, exchange views and have fun together. |
| Whenever I go to the kitchen to
have my food, I always say 'hello' to everyone and take the time to
converse with the people around. It is just nice here. Sometimes, things
do not go the way you want them to go. This is normal. We are all human
beings. Each of us including myself has his/her bad moods. Rationally,
the bad moods should be left outside the working environment. This is
not always the case. It is acidulous for the working environment, if you
walk into the room with a grimy face and your colleagues would rather
avoid talking to you. I think that the best thing one could do is to
talk about the problem on mind. We have formed ourselves into a very
good team and have created a nice working atmosphere. |
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Afritopic: Having the lead role in AIDA
is a big achievement in your career. Do you see yourself still in the
musical theater some 10 years from now?
Florence: Privately, I hope to have had a
family of my own with 2 children.
Career wise, I really do not know. I love the musical
theater and would like to continue performing as long as possible. But I
do not want to get old with it. I don't want to be performing on stage
out of necessity at the age of 60. If I were still in form at that age
and love to perform on stage, then I would do it. However, I would like
to learn something else. Going into the movie business as an actress
would not be totally new because I have learnt acting. I know how to
sing and dance. There are different options for me available in the
musical theater and probably in the television and film sector. I am
open for everything. Nevertheless, I cannot plan the future. For
example, I never knew that I was going to do AIDA. Now, I am here
playing the lead role and I cannot even tell for how long the show would
continue. Let us wait and see what the future would bring.
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Afritopic: Thank you for the
interview. Afritopic wishes you more success in your career.
Florence: You are welcome. Thanks. |
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| AIDA
History |
| In
November, 1869, the Viceroy of Egypt, Ismail Pascià, asked Verdi to
compose a hymn for the inauguration of the Suez Canal. At first Verdi
refused, saying he was not used to composing circumstantial music, but
he began to think about a new opera. The Viceroy invited the
Egyptologist Auguste Mariette to Paris and introduced him to Camille
Du Locle, through whom he hoped to secure the
collaboration of either Verdi, Wagner or Gounod, for the composition of
the hymn. With an idea for a comic opera for Du
Locle's
theatre, Verdi had no intention of accepting Pascià's proposal, but
when Du
Locle himself
showed him the outline for an opera Mariette had furnished, Verdi was
enthusiastic. June 2nd, 1870 he finally accepted to compose
the music for Aida; the opera premiered at the Opera Theatre in
Cairo on the evening of December 24th, 1871, directed by
Giovanni Bottesini, with soprano Antonietta Pozzoni Anastasi, tenor
Pietro Mongini, mezzosoprano Eleonora Grossi and baritone Francesco
Steller. Verdi was not present at the premiere, but was awarded the
prestigious title of Knight of the Ottoman Empire. A year later the
Italian premiere took place at the Scala Theatre in Milan the evening
of February 8th, 1872, directed by Franco Faccio. |
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