In the multicultural reality of today, everyone involved in the arts has to at least determine their position towards cultural diversity. Even if it means choosing not to address it. A close look at conservatoires across Europe shows that in fact, over the past two decades, cultural diversity has moved beyond exoticism and tokenism. It has become an artistic, social and market reality that is reflected in numerous activities in higher music education. http://www.cdime-network.com/sl/030320162928195